Paik pioneered the use of technology and electronic media as artistic material, directly paralleling Arcangel's conceptual engagement with digital systems and popular culture. Both artists treat technological apparatus itself as the subject and substance of their work.

Trecartin similarly channels internet culture, digital aesthetics, and contemporary pop references into conceptual art practice. His work shares Arcangel's sensibility of treating popular and online culture as both material and critique.

Steyerl works at the intersection of digital media, popular culture, and conceptual practice, examining how technology shapes contemporary experience. Her approach to screen culture and digital imagery resonates strongly with Arcangel's investigative focus on technology and mass media.