A large-scale work on paper, "Se metió por la azotea" channels Carmen Argote's sustained investigation into domestic architecture as a site of memory, migration, and bodily presence. Created in 2016, the piece draws on Argote's longstanding practice of mapping interior spaces through physical and conceptual means, translating the residue of inhabitation into abstract yet deeply personal visual language. The title, which translates roughly as "she entered through the rooftop," implies a threshold crossed by unconventional means, an act of lateral entry that bypasses formal passage and speaks to the negotiations of belonging that run throughout Argote's broader body of work. Argote, a Los Angeles-based artist of Mexican descent, consistently treats the built environment as something porous and charged rather than fixed and neutral. In this work, form and surface work together to evoke the textures of a lived-in architecture, where walls accumulate not just paint but time, gesture, and the imprints of those who have moved through them. The composition holds a tension between documentation and transformation, as if the architectural subject is simultaneously being recorded and dissolved into pure sensation. For collectors drawn to work that operates at the intersection of conceptual rigor and emotional resonance, this piece offers a compelling entry point into Argote's practice, which has garnered significant institutional attention both nationally and internationally. Currently presented through Los Angeles Contemporary Exhibitions, the signed work is offered unframed, allowing the collector the opportunity to determine a presentation approach suited to their own space. That decision itself becomes a small echo of the work's central theme, the ongoing negotiation between a space and those who choose to inhabit it.