Berthe Morisot's drypoint "Swan and Duck, with portraits of Julie" combines observational studies of waterfowl with portrait elements, showcasing her skill in the printmaking medium. The work demonstrates her characteristic interest in capturing fleeting moments and intimate subjects, while the inclusion of portraits suggests a personal significance, possibly related to someone named Julie in her circle. As a drypoint, the print reveals Morisot's deliberate use of line and tone to create both naturalistic animal studies and portraiture within a single composition.