A standard pressed steel jerrycan, coated in utilitarian blue enamel, holds twenty litres of water sourced from Marfa, Texas — a remote desert town long associated with minimalist art and mystique. McEwen transforms this functional military object into a sculptural vessel, quietly questioning notions of value, resource, and the romanticization of place. The work's understated simplicity belies a layered conceptual charge, where the contents are as integral to the piece as the container itself.