Prince similarly appropriates and recontextualizes existing imagery including portraiture and cultural iconography using mixed print and painting techniques on canvas, blurring the line between fine art and mechanical reproduction much like Zuckerman's CMYK ink approach.

Brown merges art historical references including classical portraiture and figurative traditions with bold contemporary painterly gestures on canvas, sharing Zuckerman's interest in colliding traditional subject matter with a distinctly modern visual language.

Wiley directly engages with royal and aristocratic portraiture conventions while infusing them with contemporary relevance and vibrant color, closely paralleling Zuckerman's exploration of traditional portrait imagery reimagined through a modern artistic sensibility.