A soft geometry unfolds across the surface of this 2016 lithograph by Do Ho Suh, where translucent architectural forms appear to hover in a state of quiet suspension. The composition draws on the artist's sustained investigation into domestic space and collective memory, rendering structural elements with a delicate, almost spectral lightness that is entirely characteristic of his practice. The work suggests inhabitation without presence, a threshold condition between the physical and the remembered that Suh has made his signature territory. Measuring 59.1 by 75.2 centimeters, the print carries the intimacy of a work meant to be encountered closely, rewarding sustained attention with layered tonal shifts and precise draftsmanship. Lithography as a medium suits Suh's concerns particularly well, its capacity for soft gradation and subtle texture mirroring the way memory itself operates, accumulating impressions rather than fixed outlines. The edition bears the artist's signature, lending it both personal authentication and a sense of direct connection to one of the most conceptually rigorous voices in contemporary art. Do Ho Suh's reputation has grown substantially since his early career representations of Korean domestic architecture rendered in translucent fabric, and works on paper from this period are increasingly sought by collectors who recognize their place within a coherent and deeply felt body of work. Available through Highpoint Editions, this lithograph presents an accessible point of entry into a practice that spans sculpture, installation, and works on paper, and it would complement a collection attentive to the intersections of architecture, identity, and the lived experience of place.