Daubigny was a close contemporary of Corot who also explored the Barbizon landscape tradition, creating atmospheric forest and riverside scenes with similar serene, romantic moods and soft tonal qualities that evoke quiet natural settings.

Rousseau shared Corot's deep fascination with dense forest interiors, particularly the Forest of Fontainebleau, producing dramatically lit woodland scenes with a similar contemplative and mysterious atmosphere found in this cliché verre work.

Nègre was one of the pioneering figures who worked at the intersection of photography and fine art printmaking in 19th century France, making his experimental approach to image reproduction closely aligned with the hybrid photographic drawing technique Corot employed in this cliché verre piece.