Klee frequently worked with watercolour on gridded and structured paper supports, creating delicate geometric compositions that balance abstraction with graphic precision, closely mirroring the intimate scale and technique of this Polke piece.

Schlemmer explored geometric abstraction and triangular compositional structures in works on paper, sharing the same Bauhaus era interest in reduced graphic forms that this Polke watercolour reflects.

LeWitt produced numerous intimate works on graph paper using geometric shapes including triangles, combining systematic grid structures with hand drawn marks in a way that directly echoes the visual logic of this Polke watercolour.