Weston's gelatin silver prints of natural forms such as shells, peppers, and landscapes share Sudek's reverent and poetic approach to photographing the organic world. Both photographers elevated mundane natural subjects into meditative, precisely crafted images through masterful tonal control and compositional stillness.

Strand's deeply contemplative black and white nature studies and landscape photographs reflect the same meticulous craftsmanship and poetic sensitivity that defines Sudek's approach. His gelatin silver prints of plants, rocks, and rural landscapes carry a similar meditative weight and reverence for natural form.

White's lyrical gelatin silver photographs of natural textures, landscapes, and organic forms embody the same contemplative and poetic vision found in Sudek's nature studies. Both photographers treated the natural world as a source of spiritual and emotional depth rather than mere documentation.