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Sarah Meyohas — Light Speculation #1
Sarah Meyohas

Light Speculation #1

2025

Light Speculation #1 arrests attention through its luminous, high-contrast surface, where refracted light becomes the primary subject rather than a supporting element. Sarah Meyohas constructs this large-format chromogenic print at 152.4 by 114.3 centimetres, a scale that commands physical presence and draws the viewer into its depths. The work belongs to Meyohas's ongoing investigation into the speculative value of light itself, treating photonic phenomena with the same analytical intensity she has previously directed toward financial systems and data flows. The chromogenic process is essential here, producing color densities and tonal gradations that digital printing cannot replicate, anchoring the conceptual premise in a distinctly material, chemical reality. Meyohas has built a practice that consistently interrogates the intersection of technology, value, and perception, and this piece extends that inquiry into purely optical territory. Light becomes a kind of currency in her framework, something traded between surface and eye, between the physical world and its representation. The print is signed by the artist and issued in a tightly controlled edition of six, with two additional artist's proofs, a structure that reinforces the scarcity logic her work so often examines thematically. This is edition two of six, placing it early in the run and making it a particularly desirable acquisition for collectors attentive to both position and provenance. Currently offered through Brintz and County, Light Speculation #1 arrives at a moment when Meyohas's profile continues to grow internationally. The work frames well within collections focused on photographic practice, post-conceptual inquiry, or technology-driven art, and it rewards sustained looking in a way that distinguishes it from more decorative approaches to light-based photography. The absence of a frame creates flexibility for collectors to finish the work according to their own spatial context, while the chromogenic substrate ensures archival stability and enduring visual impact over time.

Medium
Chromogenic Print
Overall
Signed
Yes

For Sale — $34000

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About this work

Sarah Meyohas, Light Speculation #1, 2025

Light Speculation #1 arrests attention through its luminous, high-contrast surface, where refracted light becomes the primary subject rather than a supporting element. Sarah Meyohas constructs this large-format chromogenic print at 152.4 by 114.3 centimetres, a scale that commands physical presence and draws the viewer into its depths. The work belongs to Meyohas's ongoing investigation into the speculative value of light itself, treating photonic phenomena with the same analytical intensity she has previously directed toward financial systems and data flows. The chromogenic process is essential here, producing color densities and tonal gradations that digital printing cannot replicate, anchoring the conceptual premise in a distinctly material, chemical reality. Meyohas has built a practice that consistently interrogates the intersection of technology, value, and perception, and this piece extends that inquiry into purely optical territory. Light becomes a kind of currency in her framework, something traded between surface and eye, between the physical world and its representation. The print is signed by the artist and issued in a tightly controlled edition of six, with two additional artist's proofs, a structure that reinforces the scarcity logic her work so often examines thematically. This is edition two of six, placing it early in the run and making it a particularly desirable acquisition for collectors attentive to both position and provenance. Currently offered through Brintz and County, Light Speculation #1 arrives at a moment when Meyohas's profile continues to grow internationally. The work frames well within collections focused on photographic practice, post-conceptual inquiry, or technology-driven art, and it rewards sustained looking in a way that distinguishes it from more decorative approaches to light-based photography. The absence of a frame creates flexibility for collectors to finish the work according to their own spatial context, while the chromogenic substrate ensures archival stability and enduring visual impact over time.

Medium
Chromogenic Print
Dimensions
overall: 152.4 x 114.3 cm
Year
2025
Edition
of 6
Signed
Hand-signed by the artist
Seen at
B R I N T Z + C O U N T Y

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Collected by

Gavin Kennedy