De Kooning similarly merged figuration with gestural abstraction in oil on canvas, using thick expressive brushwork that hovers between recognizable form and pure painterly energy, closely mirroring Guston's mature hybrid approach in Odessa.

Kossoff painted landscapes and urban scenes with heavily impastoed oil paint and rough figurative forms embedded in abstract expressionist surfaces, sharing Guston's commitment to place, memory, and the tension between representation and abstraction.

Auerbach builds up densely layered oil paint with raw figurative gestures rooted in specific places and memories, creating works that balance abstraction and figuration in a way that closely parallels the emotional and material qualities seen in Odessa.