Untitled (White Domino) presents Jedediah Caesar's signature process in concentrated form: resin cast around accumulated studio detritus, pigment suspended within a translucent white field, and raw material transformed into something coolly monumental. Composed of five individual units, each measuring 38 by 38 by 10 centimetres, the work operates both as a modular sequence and as a unified object, inviting the collector to consider how arrangement and repetition generate meaning from what might otherwise be discarded matter. The white pigmentation lends the piece an almost clinical restraint, pulling the embedded fragments into a kind of specimen logic that is at once forensic and quietly poetic. Caesar, who emerged from the Los Angeles art scene in the early 2000s and has been the subject of significant institutional attention, treats the studio itself as primary material. His resin works document the residue of making: tape, paper, plastic, and miscellaneous studio waste become geological strata once sealed within the cast matrix. Untitled (White Domino), produced in 2006, belongs to a formative period in this practice, when Caesar was refining the relationship between process, chance accumulation, and formal resolution. The result is an object that rewards sustained looking, revealing new details as light plays across the surface and the embedded matter slowly discloses itself. For collectors, this is an opportunity to acquire a signed, early work from a practice that has proved both critically durable and conceptually generous. The five-part format offers a degree of flexibility in presentation, whether installed as a horizontal sequence, a grid, or a single compact grouping, making it adaptable to a range of domestic and institutional contexts. The work ships from Slough, United Kingdom, and buyers are encouraged to arrange collection or shipping within one month of the sale closing.