"Because they tried to bore holes in my greatest and most beautiful work" is a 2015 installation by Swiss artist Pamela Rosenkranz that explores themes of bodily autonomy, violation, and artistic integrity through the presentation of a sculptural form within a vitrine. The work references both the artist's own body and broader questions about how bodies and artworks are subjected to invasive examination and control. Rosenkranz's practice typically engages with biotechnology and the aestheticization of bodily materials, positioning this piece within her larger investigation of the boundaries between the organic and the constructed.