Wu Li's "Landscape after Wang Meng" demonstrates the artist's engagement with the literati painting tradition through his emulation of the Yuan master Wang Meng's compositional vocabulary and brushwork techniques. Executed in ink on a fan leaf format, the work showcases the delicate balance of monumental landscape forms compressed into an intimate, portable surface. As a late Ming to early Qing painter and eventual Buddhist monk, Wu Li synthesized classical precedents with his own refined sensibility, creating a work that reflects both scholarly reverence for past masters and personal artistic vision.