Vasarely pioneered Op Art with geometric compositions that create powerful illusions of movement and depth, directly paralleling Duchamp's exploration of optical perception and visual motion in the Rotoreliefs.

Riley's precise geometric patterns generate intense sensations of movement and perceptual instability in the viewer's eye, sharing Duchamp's core interest in kinetic illusion and the relationship between static form and perceived motion.

Agam creates kinetic and optical artworks that shift and transform as the viewer moves or interacts with them, closely mirroring Duchamp's Rotoreliefs in their emphasis on motion, illusion, and the active role of perception in experiencing art.