Cantamar, 2/1/26 presents a carefully balanced congregation of stones resting on a granite pad, the result of Woods Davy's rigorous and contemplative approach to equilibrium sculpture. Each element has been selected and positioned with acute sensitivity to weight, surface texture, and gravitational tension, producing a composition that feels simultaneously inevitable and surprising. The work belongs to an ongoing series in which Davy investigates the threshold between natural material and human intention, allowing the inherent character of the stone to guide formal decisions rather than imposing upon it. Davy, who has worked extensively with stone and wire across several decades, is recognized for sculptures that resist the language of fabrication in favor of a quieter, more meditative dialogue with the physical world. Cantamar carries that lineage forward while demonstrating the artist's continued refinement of scale and spatial presence. At 81.3 by 81.3 by 47 centimeters, the work commands attention without aggression, occupying space with a stillness that rewards prolonged looking. The granite pad grounds the composition with a sense of permanence, while the stones above introduce subtle asymmetries that keep the eye engaged. For collectors drawn to sculpture that bridges land art, process-based practice, and the poetics of natural material, this work offers a rare combination of conceptual depth and physical immediacy. Signed and offered through Sabbatikal, Cantamar, 2/1/26 represents a strong example of Davy's mature practice and would bring considered gravity to any collection environment, whether domestic or institutional.