World's End Stamp closes Fairey's contributions to the Triple Trouble timeline on an apocalyptic and bureaucratic note, using the loaded imagery of an official stamp — the mundane administrative gesture of authorization — to comment on how catastrophe is so often signed off on quietly and incrementally. Executed in Fairey's layered mixed-media approach of stencil, silkscreen, and collage on paper, the work transforms a symbol of institutional routine into one of existential weight, asking who approves the world's undoing and with what casual authority. The 2025 date situates it firmly in a contemporary climate of ecological anxiety, political fracture, and information overload, all themes that have coursed through the Triple Trouble collaboration as a whole. Fairey's signature color palette — rich reds, aged creams, and deep blacks — lends the piece the feel of classified documentation from a future that arrived too soon. As a culminating statement, it synthesizes the collection's preoccupations with power, visibility, and consequence into a single, damning image of officialdom stamping its seal on the end of things.