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Refik Anadol — Space: Mars/Still, from Machine Hallucinations
Refik Anadol

Space: Mars/Still, from Machine Hallucinations

2022

Rendered in cascading layers of coral, ochre, and deep violet, "Space: Mars/Still" translates the surface of the red planet into a luminous field of machine-generated perception. Drawn from Anadol's landmark "Machine Hallucinations" series, the work feeds vast quantities of NASA imagery and spatial data through custom artificial intelligence systems, producing visualisations that hover between scientific record and pure abstraction. The result is something genuinely novel: a portrait of an extraterrestrial landscape as interpreted not by human eyes but by the associative logic of a trained neural network, compressing millions of data points into a single arrested moment of computational dreaming. This 2022 digital print is numbered from a carefully controlled edition of 88, produced on wove paper with the image printed to the full extent of the sheet, measuring 69.8 by 49.7 centimetres. The work is hand-signed by Anadol, conferring both personal authentication and a pointed conceptual resonance, a human mark placed upon an image born entirely from algorithmic process. That tension between authorship and automation sits at the heart of Anadol's practice, and it gives the piece a philosophical weight that complements its considerable visual impact. Anadol has achieved rare institutional recognition for a media artist of his generation, with acquisitions and commissions ranging from the Museum of Modern Art in New York to major architectural landmarks worldwide. Collectors acquiring work from "Machine Hallucinations" are entering a body of work that has come to define the conversation around AI as a creative medium rather than a mere tool, and editions at this scale offer an accessible point of entry into a practice whose significance continues to grow with each passing year.

Medium
Digital print in colours
Sheet
Signed
Yes
Location
Forum Auctions, London, UK

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About this work

Refik Anadol, Space: Mars/Still, from Machine Hallucinations, 2022

Rendered in cascading layers of coral, ochre, and deep violet, "Space: Mars/Still" translates the surface of the red planet into a luminous field of machine-generated perception. Drawn from Anadol's landmark "Machine Hallucinations" series, the work feeds vast quantities of NASA imagery and spatial data through custom artificial intelligence systems, producing visualisations that hover between scientific record and pure abstraction. The result is something genuinely novel: a portrait of an extraterrestrial landscape as interpreted not by human eyes but by the associative logic of a trained neural network, compressing millions of data points into a single arrested moment of computational dreaming. This 2022 digital print is numbered from a carefully controlled edition of 88, produced on wove paper with the image printed to the full extent of the sheet, measuring 69.8 by 49.7 centimetres. The work is hand-signed by Anadol, conferring both personal authentication and a pointed conceptual resonance, a human mark placed upon an image born entirely from algorithmic process. That tension between authorship and automation sits at the heart of Anadol's practice, and it gives the piece a philosophical weight that complements its considerable visual impact. Anadol has achieved rare institutional recognition for a media artist of his generation, with acquisitions and commissions ranging from the Museum of Modern Art in New York to major architectural landmarks worldwide. Collectors acquiring work from "Machine Hallucinations" are entering a body of work that has come to define the conversation around AI as a creative medium rather than a mere tool, and editions at this scale offer an accessible point of entry into a practice whose significance continues to grow with each passing year.

Medium
Digital print in colours
Dimensions
sheet: 69.8 x 49.7 cm
Year
2022
Edition
of 88
Signed
Hand-signed by the artist
Seen at
Forum Auctions, London, UK

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Collected by

Alex Capecelatro, Ryan