This striking cover design for DLM 161 represents Raoul Ubac's sophisticated approach to visual composition and his deep engagement with the European avant-garde during the mid-twentieth century. The work exemplifies Ubac's mastery of photographic and graphic techniques, combining abstraction with carefully orchestrated geometric forms that command immediate visual attention. The composition balances bold typographic elements with carefully rendered imagery, creating a dynamic surface that rewards sustained viewing and speaks to Ubac's broader practice as an artist, photographer, and designer working across multiple media. Ubac's contribution to DLM, the influential French art and design publication, positions this cover within the broader context of postwar artistic innovation and cultural discourse. The work reflects the artist's commitment to experimentation and his role in shaping modernist visual culture during a pivotal moment in European art history. For collectors, this piece offers access to a significant example of applied modernist design by an artist whose influence extended across painting, photography, and the decorative arts, making it both a historically important artifact and a visually compelling object suitable for serious study and display.