Synapses No. 21 draws the eye into a charged, intimate field of mark-making, where Agada's charcoal lines pulse and branch across the canvas like transmissions caught mid-thought. Measuring 55.9 × 45.7 cm, the work operates at a scale that rewards close looking, collapsing the distance between viewer and surface until the texture of each stroke becomes almost tactile. The composition suggests the visual language of neuroscience without being beholden to it, evoking the firing and fading of electrical impulse, the connective tissue of cognition rendered in deep, velvety blacks and the quiet luminosity of raw canvas. This piece belongs to Agada's ongoing Synapses series, in which the Nigerian-born artist continues to investigate consciousness, memory, and the invisible architectures that link feeling to thought. Working in charcoal on canvas, he exploits the medium's capacity for both bold gesture and whispered nuance, building a surface that feels simultaneously spontaneous and deeply considered. The signed work is presented unframed, allowing collectors the freedom to determine how it enters a given space, whether set against a minimal ground to amplify its graphic intensity or within a frame that honors its intimate proportions. Currently available through Roberts Projects, Synapses No. 21 represents a strong entry point into Agada's practice at a moment of growing institutional and critical attention. The work carries both the immediacy of a drawing and the material presence of a painting, occupying a productive ambiguity that distinguishes Agada's approach within contemporary figurative and conceptual discourse. For collectors drawn to works that are visually arresting and philosophically attentive, this piece offers enduring depth.