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Keith Haring — Untitled (Man on Dolphin)
Keith Haring — Untitled (Man on Dolphin)
Keith Haring — Untitled (Man on Dolphin)
Keith Haring

Untitled (Man on Dolphin)

Untitled (Man on Dolphin) exemplifies Keith Haring's most characteristic visual vocabulary during the height of his artistic maturity in 1989. The composition features a dynamic male figure merged with or riding atop a gracefully arching dolphin, rendered in Haring's signature continuous line technique that conveys both movement and spiritual transcendence. The lithograph's bold, flowing contours create a sense of joyful momentum across the composition, with the intertwined forms suggesting themes of harmony between human and nature that resonated throughout Haring's practice. The work radiates the vitality and optimism that defined his public art philosophy, translating the energy of street culture and spontaneous mark-making into a refined fine art medium. This museum-quality impression is edition 53 of 170, presented on wove paper with generous margins that frame the image beautifully. The work's substantial scale, measuring nearly four feet across the image, amplifies the visceral power of Haring's gestural language and makes the dolphin and figure's buoyant movement palpable to the viewer. Created during a particularly prolific period, this lithograph represents a significant investment in one of contemporary art's most influential and sought-after voices, whose work continues to command serious collector attention across major institutions worldwide.

Medium
Keith Haring, Untitled (Man on Dolphin), 1989, Signed, Lithograph, on wove paper, with full margins, Edition 53/170, 33 1/2" x 39 3/8" Framed Size, 29 1/2" x 35 3/8" Sheet Size, 25 1/4" x 31 1/2" Image Size

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About this work

Keith Haring, Untitled (Man on Dolphin)

Untitled (Man on Dolphin) exemplifies Keith Haring's most characteristic visual vocabulary during the height of his artistic maturity in 1989. The composition features a dynamic male figure merged with or riding atop a gracefully arching dolphin, rendered in Haring's signature continuous line technique that conveys both movement and spiritual transcendence. The lithograph's bold, flowing contours create a sense of joyful momentum across the composition, with the intertwined forms suggesting themes of harmony between human and nature that resonated throughout Haring's practice. The work radiates the vitality and optimism that defined his public art philosophy, translating the energy of street culture and spontaneous mark-making into a refined fine art medium. This museum-quality impression is edition 53 of 170, presented on wove paper with generous margins that frame the image beautifully. The work's substantial scale, measuring nearly four feet across the image, amplifies the visceral power of Haring's gestural language and makes the dolphin and figure's buoyant movement palpable to the viewer. Created during a particularly prolific period, this lithograph represents a significant investment in one of contemporary art's most influential and sought-after voices, whose work continues to command serious collector attention across major institutions worldwide.

Medium
Keith Haring, Untitled (Man on Dolphin), 1989, Signed, Lithograph, on wove paper, with full margins, Edition 53/170, 33 1/2" x 39 3/8" Framed Size, 29 1/2" x 35 3/8" Sheet Size, 25 1/4" x 31 1/2" Image Size
Seen at
Georgetown Frame Shoppe, Washington, D.C., United States

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Collected by

Alex Capecelatro, Jim Arnone, Hamilton Selway Gallery, Lisa Rembrandt, Carolyn Lynx, Derek Jones