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Justin Yoon — Company 3 (Machoman Park)
Justin Yoon

Company 3 (Machoman Park)

2025

Company 3 (Machoman Park) places the viewer inside a compressed social world rendered entirely in color pencil, a medium Yoon wields with uncommon patience and precision. The 55.9 × 71.1 cm composition rewards close attention, with layered hues building a surface that feels simultaneously intimate and slightly unreal, as though the scene exists at some remove from ordinary time. Yoon's figures and settings carry a deadpan psychological charge, drawing on the visual language of leisure, masculinity, and collective identity while quietly unsettling each of those categories. The result is a work that reads as both documentary and invented, grounded in specific cultural textures yet resistant to tidy interpretation. Produced in 2025, this piece reflects the sustained commitment to hand-drawn mark-making that has come to define Yoon's practice. Where digital shortcuts flatten and accelerate, color pencil on paper demands accumulation and revision, and that labor is legible in the final surface. The title itself folds together corporate nomenclature and playground bravado in a pairing that is emblematic of Yoon's wider sensibility, finding friction and humor in the collision of seemingly incompatible registers. Framed under anti-reflective glass and signed by the artist, the work is presented in excellent condition through Jonathan Carver Moore. For collectors drawn to works that operate with wit and formal rigor in equal measure, this is a compelling example of an emerging voice working at a genuinely distinctive register.

Medium
Color pencil on paper. Framed w/ anti-reflective glass.
Overall
Signed
Yes

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About this work

Justin Yoon, Company 3 (Machoman Park), 2025

Company 3 (Machoman Park) places the viewer inside a compressed social world rendered entirely in color pencil, a medium Yoon wields with uncommon patience and precision. The 55.9 × 71.1 cm composition rewards close attention, with layered hues building a surface that feels simultaneously intimate and slightly unreal, as though the scene exists at some remove from ordinary time. Yoon's figures and settings carry a deadpan psychological charge, drawing on the visual language of leisure, masculinity, and collective identity while quietly unsettling each of those categories. The result is a work that reads as both documentary and invented, grounded in specific cultural textures yet resistant to tidy interpretation. Produced in 2025, this piece reflects the sustained commitment to hand-drawn mark-making that has come to define Yoon's practice. Where digital shortcuts flatten and accelerate, color pencil on paper demands accumulation and revision, and that labor is legible in the final surface. The title itself folds together corporate nomenclature and playground bravado in a pairing that is emblematic of Yoon's wider sensibility, finding friction and humor in the collision of seemingly incompatible registers. Framed under anti-reflective glass and signed by the artist, the work is presented in excellent condition through Jonathan Carver Moore. For collectors drawn to works that operate with wit and formal rigor in equal measure, this is a compelling example of an emerging voice working at a genuinely distinctive register.

Medium
Color pencil on paper. Framed w/ anti-reflective glass.
Dimensions
overall: 55.9 x 71.1 cm
Year
2025
Signed
Hand-signed by the artist
Seen at
Jonathan Carver Moore

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Collected by

Gavin Kennedy