# Jean Bazaine Lithograph, 1968 This striking work exemplifies Jean Bazaine's mastery of color and compositional abstraction during a prolific period of his career. The piece combines screenprints on Perspex with background inkjet printing on paper, a layered technique that creates remarkable depth and luminosity. The translucent Perspex sheets allow light to pass through the colored inks, generating an ethereal quality that shifts depending on viewing angle and ambient light. Bazaine's characteristic vocabulary of organic abstraction, with its interplay of warm and cool tones, emerges through the careful layering of this mixed media approach. The original aluminum frames specified by the artist are integral to the work's presentation, indicating the artist's precise control over how the piece engages with its surroundings. This 1968 work represents a moment when Bazaine was exploring the boundaries between painting and printmaking, pushing beyond traditional lithographic limitations into experimental territory. The combination of processes required sophisticated technical knowledge and a willingness to embrace the unpredictable qualities of mixed media production. For collectors, the work offers a compelling intersection of modernist abstraction and innovative technique, presenting a sophisticated example of how Bazaine expanded the possibilities of works on paper during the late 1960s. The piece's presence and luminosity make it an impressive addition to collections focused on post-war European abstraction and experimental printmaking.