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Henri Lebasque — Marinette Endormie
Henri Lebasque — Marinette Endormie
Henri Lebasque — Marinette Endormie
Henri Lebasque

Marinette Endormie

1934

Painted in 1934 near the end of a long and luminous career, Marinette Endormie presents a sleeping female nude draped across a chaise longue upholstered in richly patterned floral fabric. The composition balances warm mauve and orange tones against cool greens and blues, a chromatic dialogue that recalls the Fauvist sensibility Lebasque shared with his Riviera neighbors Henri Matisse and Henri Manguin. His brushwork here is characteristically airy and energetic, lending the scene a soft, dream-like atmosphere without sacrificing the visual vitality that defined his mature style. The work was produced roughly a decade after Lebasque settled permanently in Cannes, where the quality of Mediterranean light transformed his palette and deepened his focus on the nude as a subject. Lebasque occupied a singular position within the French avant-garde. A founding member of the Salon d'Automne in 1903 alongside Matisse, he moved in the same circles as Bonnard, Vuillard, Derain, and Vlaminck, absorbing the formal innovations of Post-Impressionism while developing a voice that critics consistently praised for its fluidity and refinement. That reputation translated into considerable commercial success during his lifetime, a relatively rare achievement among artists of such modernist ambition. In his Riviera period, as both he and Matisse turned with renewed focus to the odalisque tradition, Lebasque brought to those subjects the intimate warmth of his earlier domestic paintings, suffused now with the sensuous abundance of southern France. At 64.8 by 80.6 centimeters, Marinette Endormie is a confident, well-scaled work that carries the full weight of Lebasque's developed vision. The canvas is signed and offered in its original frame dimensions. For collectors with an interest in French modernism, this painting represents a direct point of connection to one of the most consequential artistic communities of the early twentieth century, rendered with the ease and radiance that earned Lebasque his enduring reputation as a painter of joy and light.

Medium
Oil on canvas
Overall
Signed
Yes
Location
M.S. Rau, New Orleans, LA

For Sale — $128500

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Henri Lebasque, Marinette Endormie, 1934

Painted in 1934 near the end of a long and luminous career, Marinette Endormie presents a sleeping female nude draped across a chaise longue upholstered in richly patterned floral fabric. The composition balances warm mauve and orange tones against cool greens and blues, a chromatic dialogue that recalls the Fauvist sensibility Lebasque shared with his Riviera neighbors Henri Matisse and Henri Manguin. His brushwork here is characteristically airy and energetic, lending the scene a soft, dream-like atmosphere without sacrificing the visual vitality that defined his mature style. The work was produced roughly a decade after Lebasque settled permanently in Cannes, where the quality of Mediterranean light transformed his palette and deepened his focus on the nude as a subject. Lebasque occupied a singular position within the French avant-garde. A founding member of the Salon d'Automne in 1903 alongside Matisse, he moved in the same circles as Bonnard, Vuillard, Derain, and Vlaminck, absorbing the formal innovations of Post-Impressionism while developing a voice that critics consistently praised for its fluidity and refinement. That reputation translated into considerable commercial success during his lifetime, a relatively rare achievement among artists of such modernist ambition. In his Riviera period, as both he and Matisse turned with renewed focus to the odalisque tradition, Lebasque brought to those subjects the intimate warmth of his earlier domestic paintings, suffused now with the sensuous abundance of southern France. At 64.8 by 80.6 centimeters, Marinette Endormie is a confident, well-scaled work that carries the full weight of Lebasque's developed vision. The canvas is signed and offered in its original frame dimensions. For collectors with an interest in French modernism, this painting represents a direct point of connection to one of the most consequential artistic communities of the early twentieth century, rendered with the ease and radiance that earned Lebasque his enduring reputation as a painter of joy and light.

Medium
Oil on canvas
Dimensions
overall: 64.8 x 80.6 cm
Year
1934
Signed
Hand-signed by the artist
Seen at
M.S. Rau, New Orleans, LA

More works by Henri Lebasque

Collected by

Musée d'Art Moderne de Paris