"Old Master" presents a commanding figurative presence rendered in Namuyimba's characteristic layering of acrylic and mixed media, where texture and pigment accumulate to create surfaces that feel simultaneously ancient and urgently contemporary. The 120 × 100 cm canvas draws the eye through a sophisticated orchestration of mark-making, with the artist deploying collaged elements and painterly gestures to build a portrait that speaks to questions of legacy, authority, and the weight of inherited tradition. Namuyimba positions his subject within an art historical lineage while quietly interrogating who has historically been granted mastery and whose image has been deemed worthy of monumental treatment. The Ugandan-born artist has developed a practice that finds its power in this tension between reverence and critique, using the formal vocabulary of European portraiture as a scaffold upon which to construct something entirely his own. The mixed media approach is central to this project, as embedded materials disrupt the smooth authority typically associated with canonical painted likenesses, introducing fragmentation and contingency into a genre defined by permanence. The result is a work that commands the wall with genuine gravitas while remaining intellectually restless, rewarding sustained looking with new layers of meaning. Currently offered through Zidoun-Bossuyt, "Old Master" represents a significant moment in Namuyimba's evolving body of work, produced in 2021 when his critical and commercial recognition was accelerating considerably. The canvas is signed by the artist and offered unframed, allowing collectors the flexibility to present the work according to their own spatial vision. Works of this scale and thematic ambition from this period are increasingly sought after, and this piece arrives with the immediacy of a painting that knows precisely what it wants to say.