Two photographs with screenprint in colors depict lush, elaborate floral arrangements that merge the boundaries between painting and photography, characteristic of Ger van Elk's conceptual approach. The works playfully reference the rich tradition of Dutch and Flemish still-life painting, with the titles evoking the historic cities of Antwerp and Alkmaar, both renowned centers of the Golden Age art world. Van Elk's seamless blending of photographic imagery with screenprinted elements challenges the viewer's perception of reality and artifice.