Man Ray pioneered the Rayograph, a cameraless photogram technique that places objects directly onto photosensitive paper, producing the same ghostly, luminous traces and abstract forms seen in Fuss's Cibachrome work. Both artists share a deeply experimental approach that transforms photographic process into something poetic and almost otherworldly.

Neusüss devoted his entire practice to the photogram as an expressive fine art medium, creating large scale cameraless works that emphasize glowing light halos and ethereal silhouettes against deep black backgrounds, qualities that closely mirror the luminous and mystical character of Fuss's Cibachrome photograms. His conceptual rigor and focus on the trace of objects in light aligns him directly with Fuss's method.