This alabaster relief by the Circle of Willem van den Broecke, known as Paludanus, exemplifies the refined sculptural practice of sixteenth century Antwerp, a major center for alabaster carving. The work is presented in an ebonised wood frame that was likely carved to complement the delicate carved alabaster, reflecting the period's attention to the relationship between sculpture and its architectural or decorative setting. Paludanus was a renowned sculptor and antiquarian whose workshop produced both independent alabaster pieces and decorative reliefs for wealthy patrons during the Renaissance.