Levine similarly engages with conceptual frameworks through serialized works that interrogate reproduction, authorship, and cultural meaning, much like Rodriguez's numbered Beatrix series. Both artists use repetition and sequencing as core conceptual strategies within contemporary practice.

Lawler shares Rodriguez's interest in exploring how objects and images carry layered conceptual weight within contemporary art contexts. Her serialized and investigative approach to form and meaning aligns closely with Rodriguez's practice in this numbered series.

Fraser's conceptually driven work examines institutional and cultural structures through iterative and series based projects, paralleling Rodriguez's exploration of form and conceptual themes. Both artists work within a critically engaged contemporary framework that questions the nature of artistic production.