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Brad Howe — When the Distant Resembles the Near
Brad Howe

When the Distant Resembles the Near

2013

"When the Distant Resembles the Near" presents a compact yet commanding presence, its high-polished stainless steel surface functioning simultaneously as sculpture and mirror. Measuring just over 41 by 30 centimeters at its face, the work achieves a monolithic quality that belies its intimate scale, drawing the viewer into a shifting dialogue between the object itself and the reflections it gathers from its surroundings. The title invites a meditative reading, suggesting that perception collapses distance, that what is far away and what is close at hand can become indistinguishable when filtered through a sufficiently receptive surface. Brad Howe has built an internationally recognized practice spanning gallery placements and exhibitions across Europe, Asia, South America, and the United States, earning a reputation for sculpture that marries formal precision with philosophical depth. This 2013 work exemplifies his consistent commitment to materials that are both visually arresting and conceptually purposeful. The highly polished finish is not merely aesthetic, it is structural to the meaning, transforming the piece into an active participant in whatever environment it inhabits. Signed by the artist, the work carries both provenance integrity and the quiet authority of an edition that has been personally affirmed. For collectors seeking a work of refined intelligence that holds its own within a sophisticated contemporary interior, this sculpture offers an exceptional balance of scale, material mastery, and conceptual resonance.

Medium
High polished stainless steel
Overall
Signed
Yes
Location
Adamar Fine Arts, Miami, FL

For Sale — $5000

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About this work

Brad Howe, When the Distant Resembles the Near , 2013

"When the Distant Resembles the Near" presents a compact yet commanding presence, its high-polished stainless steel surface functioning simultaneously as sculpture and mirror. Measuring just over 41 by 30 centimeters at its face, the work achieves a monolithic quality that belies its intimate scale, drawing the viewer into a shifting dialogue between the object itself and the reflections it gathers from its surroundings. The title invites a meditative reading, suggesting that perception collapses distance, that what is far away and what is close at hand can become indistinguishable when filtered through a sufficiently receptive surface. Brad Howe has built an internationally recognized practice spanning gallery placements and exhibitions across Europe, Asia, South America, and the United States, earning a reputation for sculpture that marries formal precision with philosophical depth. This 2013 work exemplifies his consistent commitment to materials that are both visually arresting and conceptually purposeful. The highly polished finish is not merely aesthetic, it is structural to the meaning, transforming the piece into an active participant in whatever environment it inhabits. Signed by the artist, the work carries both provenance integrity and the quiet authority of an edition that has been personally affirmed. For collectors seeking a work of refined intelligence that holds its own within a sophisticated contemporary interior, this sculpture offers an exceptional balance of scale, material mastery, and conceptual resonance.

Medium
High polished stainless steel
Dimensions
overall: 41.9 x 30.5 x 15.2 cm
Year
2013
Signed
Hand-signed by the artist
Seen at
Adamar Fine Arts, Miami, FL

More works by Brad Howe

Collected by

Jim Arnone, Hamilton Selway Gallery