ATM Monopoly, created in 2014, brings together acrylic paint, spray paint, collage, and a glossy resin finish on stretched canvas to produce a work that is at once visually arresting and conceptually pointed. The layered surface, sealed beneath resin, gives the composition a luminous depth that rewards close inspection, while the collaged elements root the image in the visual language of mass media and consumer culture. Hand signed on the front by the artist, this canvas carries an unmistakable sense of authorship that bridges the spontaneity of street practice with the considered craft of studio production. Alec Monopoly, born Alec Andon in New York in 1986, built his reputation through graffiti before developing a highly recognizable body of work that places the iconic Rich Uncle Pennybags figure from the Monopoly board game into charged cultural and economic contexts. Drawing on lineages that include Keith Haring, Jean-Michel Basquiat, and Salvador Dalí, the artist uses humor and pop iconography to scrutinize capitalist hierarchies and the performance of wealth. Works from this period have entered collections held by prominent figures across film and music, reflecting both the broad accessibility of Monopoly's visual language and the seriousness with which the market has come to regard his output. ATM Monopoly arrives in excellent condition and is accompanied by a certificate of authenticity, making it a well-documented example from a pivotal moment in the artist's career. The medium dimensions offer strong visual presence without demanding monumental wall space, and the resin coating ensures long-term surface stability. For collectors drawn to the intersection of street art tradition and contemporary commentary on financial culture, this work represents a compelling and characteristically confident statement.