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Annie Leibovitz — Robert Wilson, The Watermill Center, Water Mill, New York (1994)
Annie Leibovitz

Robert Wilson, The Watermill Center, Water Mill, New York (1994)

2017

Captured at the legendary artist residency Robert Wilson founded on Long Island, this 1994 photograph places its subject within a world entirely of his own making. Leibovitz frames Wilson against the layered, otherworldly environment of The Watermill Center, a space where art, theater, and ritual converge, and where the boundaries between creator and creation deliberately blur. The image carries the quiet intensity that defines Leibovitz's portrait practice at its most considered, allowing the architecture of the space and the presence of its visionary founder to speak with equal weight. Printed in 2017 as an archival pigment print measuring 40.6 by 50.8 centimeters, this work demonstrates the technical precision and tonal richness that have made Leibovitz's photographic prints so durable as collectible objects. The archival medium ensures exceptional longevity, preserving the subtle gradations of light and shadow that give the composition its depth. The print is hand-signed, adding a direct connection to the artist that enhances its provenance and resonance for serious collectors. This offering carries particular significance given its direct connection to The Watermill Center Benefit Auction, linking the work to the very institution it portrays. For collectors drawn to the intersection of performance, visual art, and documentary portraiture, this piece represents a rare opportunity to acquire a work that functions simultaneously as fine art photography, cultural artifact, and testament to one of the most singular creative communities of the late twentieth century.

Medium
Archival Pigment Print
Overall
Signed
Yes

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About this work

Annie Leibovitz, Robert Wilson, The Watermill Center, Water Mill, New York (1994), 2017

Captured at the legendary artist residency Robert Wilson founded on Long Island, this 1994 photograph places its subject within a world entirely of his own making. Leibovitz frames Wilson against the layered, otherworldly environment of The Watermill Center, a space where art, theater, and ritual converge, and where the boundaries between creator and creation deliberately blur. The image carries the quiet intensity that defines Leibovitz's portrait practice at its most considered, allowing the architecture of the space and the presence of its visionary founder to speak with equal weight. Printed in 2017 as an archival pigment print measuring 40.6 by 50.8 centimeters, this work demonstrates the technical precision and tonal richness that have made Leibovitz's photographic prints so durable as collectible objects. The archival medium ensures exceptional longevity, preserving the subtle gradations of light and shadow that give the composition its depth. The print is hand-signed, adding a direct connection to the artist that enhances its provenance and resonance for serious collectors. This offering carries particular significance given its direct connection to The Watermill Center Benefit Auction, linking the work to the very institution it portrays. For collectors drawn to the intersection of performance, visual art, and documentary portraiture, this piece represents a rare opportunity to acquire a work that functions simultaneously as fine art photography, cultural artifact, and testament to one of the most singular creative communities of the late twentieth century.

Medium
Archival Pigment Print
Dimensions
overall: 40.6 x 50.8 cm
Year
2017
Signed
Hand-signed by the artist
Seen at
The Watermill Center Benefit Auction

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Collected by

Alex Capecelatro