Spencer Finch's "Yellow" (2013) presents four light boxes fitted with Fujitrans film, each glowing with a subtly differentiated luminosity that transforms the seemingly simple premise of a single color into an investigation of perception and its limits. Finch is known for his rigorous, quasi-scientific approach to capturing light, atmosphere, and sensory experience, and this work exemplifies that methodology with quiet authority. The choice of yellow, a color long associated with radiance, optimism, and instability in equal measure, becomes a vehicle for exploring how the eye and mind negotiate meaning from nearly identical visual information. The light boxes operate as both objects and phenomena, occupying the threshold between sculpture and painting while belonging fully to neither. Presented together, the four panels invite sustained looking, rewarding the viewer who lingers long enough to register the distinctions between each field of light. The Fujitrans medium, a photographic film material commonly used in backlit display, lends the work a commercial-grade luminosity that Finch redirects toward contemplative ends, recalling the meditative ambitions of the color field tradition while remaining rooted in contemporary photographic and installation practice. For collectors, "Yellow" offers a rare opportunity to acquire a signed work by an artist whose pieces reside in major institutional collections and whose practice continues to garner critical attention for its intellectual rigor and sensory richness. Currently held at the Montclair Art Museum, the work arrives without a frame, allowing the self-contained luminosity of the light boxes to define the installation on their own terms. This is a work that changes with the light conditions of its environment, making it a living presence within any collection or architectural space it inhabits.