Rozendaal similarly treats the internet as a primary artistic medium and explores digital aesthetics, net art, and the ownership of web based works through NFT adjacent frameworks. His playful visual language and embrace of online culture as subject matter mirrors Remilia Collective's post internet sensibility.

KAWS merges subcultural iconography, cartoon and anime influenced imagery, and ironic commercial aesthetics into a cohesive fine art practice, paralleling Remilia Collective's fusion of kawaii culture and meme warfare. Both operate at the intersection of internet subculture and contemporary art markets.

Cao Fei interrogates cyber culture, digital folklore, and virtual identity through immersive multimedia works that engage accelerationist themes and online community formation. Her art shares Remilia Collective's fascination with how internet subcultures generate new mythologies and aesthetic systems.