Turner was Constable's contemporary and fellow Romantic landscape painter who shared a deep commitment to capturing the natural English countryside in oil. His atmospheric treatments of rural and pastoral scenes closely parallel the naturalistic observation seen in this preparatory study.

Gainsborough produced richly observed English landscape paintings in oil that celebrated rural scenery with a similar naturalistic and contemplative spirit. His loose brushwork and attention to foliage, sky, and pastoral mood align closely with Constable's preparatory landscape studies.

Corot was a master of plein air landscape studies in oil on canvas, producing preparatory and finished works that emphasized direct observation of nature with soft tonal qualities. His dedication to capturing natural light and rural scenery makes his work a very close parallel to this Constable study.