A compact burst of chromatic vitality, this oil on canvas on board presents a basket of fruit rendered in the confident, loosely Fauve idiom that defined Louis Valtat's mature still-life practice. Valtat, often cited as a precursor to Fauvism who exhibited alongside Matisse and Bonnard in the early twentieth century, brought to his domestic subjects the same intensity of color and liberated brushwork he applied to landscape and figural work. Here, warm tones press against cooler shadows with an almost tactile insistence, the fruit described in broad, unhesitant strokes that privilege optical sensation over botanical accuracy. The composition is intimate in scale, measuring approximately 26.7 by 34.9 centimetres on the picture plane, yet the energy contained within it reads far larger. The work is signed by the artist, confirming its place within his authenticated output, and presents in good overall condition consistent with its age. Minor craquelure is visible across the paint surface, a natural consequence of the oil medium aging over time, and the canvas would benefit from a light professional cleaning to reveal the full warmth of the palette beneath surface accretion. A faint pencil line is noted near the frame edge but falls outside the primary field of view. The board support has provided a stable ground, and no structural concerns are apparent. For collectors focused on Post-Impressionist and early modernist works on a human scale, this piece offers an accessible entry point into Valtat's practice without sacrificing the directness and chromatic ambition that distinguish his finest output. Works of this subject type by Valtat appear with increasing infrequency on the secondary market, and the combination of authentic signature, compact format, and lively execution makes this a genuinely appealing acquisition for a focused collection.