Blue and Turquoise presents Corydon Cowansage's signature visual language in a format that feels both intimate and architecturally considered. Created in 2025 as a shaped UV print on museum board, the work originates from an original painting made specifically for this edition, meaning the transition from studio practice to printed object was intentional from the outset rather than incidental. The result carries the luminous, richly saturated quality that defines Cowansage's canvases, where soft curves and sculptural forms suggest spaces that are simultaneously organic and constructed. Printed with UV inks that preserve chromatic intensity and depth, the piece rewards close looking, holding the eye in the same way her paintings do. The shaped format is central to the work's identity. Rather than conforming to a conventional rectangle, the composition's edges participate actively in the visual experience, reinforcing the sense that form and color are inseparable concerns for this artist. Cowansage has long been interested in the tension between flatness and illusionistic depth, and that tension is fully present here, with the bleached hardwood maple frame completing the object in a way that feels designed rather than decorative. The framing brings warmth to the cooler blues and turquoises at the work's core, grounding the palette without diminishing its vibrancy. Issued in an edition of fifteen, Blue and Turquoise offers serious collectors access to a work that genuinely extends Cowansage's practice rather than simply reproducing it. Each example is signed by the artist and arrives framed, ready to be lived with. For those drawn to painting that moves between abstraction and spatial illusion, this edition represents a considered and durable point of entry into one of the more quietly compelling bodies of work in contemporary art today.