Brown's lush, psychedelic figuration draws heavily on rococo excess and painterly abandon, creating swirling compositions of intertwined figures in vivid, saturated color that mirrors the feverish decorative energy Figgis translates into embroidered textile form.

Ruyter appropriates historical figural scenes and transforms them with flat, vibrant color fields and a psychedelic chromatic palette, sharing Figgis's approach of reinterpreting classical European figuration through an intensely colorful and surreal contemporary lens.

Anderson works with lush decorative surfaces, rich layered color, and a preoccupation with social gathering and leisure scenes rendered with a heightened, almost theatrical atmosphere that resonates with Figgis's tapestry depicting figures in an opulent, psychedelically charged group setting.