Vasarely is widely regarded as the father of Op Art and shared Riley's dedication to geometric abstraction and optical illusion through precise color interaction and rhythmic repetition. His systematic exploration of chromatic vibration and spatial ambiguity in flat printed compositions mirrors the visual energy found in Rose Rose.

Noland's Color Field paintings and prints featuring horizontal stripe compositions with saturated, carefully sequenced hues are remarkably aligned with Riley's approach in Rose Rose. His focus on how adjacent bands of warm and cool color create optical movement and chromatic tension closely parallels Riley's mature stripe works.

Kelly's bold use of flat saturated color in rhythmic geometric sequences shares the same formal economy and chromatic intensity visible in Rose Rose. His screenprints and color panel works demonstrate a similarly rigorous investigation of how pure hues interact optically when placed in close horizontal or sequential proximity.