This 1958 oil on masonite work emerges from Tancredi's philosophical investigation into the relationship between nature, geometry, and abstraction. The artist's statement reveals his belief that painting must embody nature itself, with forms divisible and multiplicable infinitely through geometric understanding. The work reflects the Spatialism movement's interest in transcending material limitations through spatial exploration. The composition balances natural observation with rigorous formal abstraction, demonstrating Tancredi's bridge between figuration and pure abstraction.