This sculptural work by Naama Tsabar combines two violin bows with horse hair and metal hardware to create an abstract composition that explores the relationship between sound and physical form. The artist uses materials typically associated with musical performance to create a non-functional object that invites viewers to reconsider the boundaries between instrument and art. Tsabar's practice often investigates how sound, material, and gesture can be translated into visual and tactile experiences. The work is part of her ongoing exploration of continuity, examining how repetition and variation create meaning. Through this piece, she transforms everyday musical materials into an object of contemplation that challenges conventional notions of sculpture.