Molnár created geometric abstract works featuring simple circular and rectangular forms with carefully considered color relationships, sharing Adnan's meditative approach to minimal geometry and the interplay of warm and cool tones in print-based compositions.

Noland's celebrated target and circle paintings use concentric and overlapping circular forms in bold warm hues of orange, red, and yellow against cooler grounds, directly paralleling the compositional logic and color temperature contrasts found in Adnan's screenprint.

Hashmi was a South Asian American printmaker who combined geometric abstraction with deep meditative and cosmological themes, producing limited edition works on paper that share Adnan's quiet spirituality, minimal forms, and exploration of celestial and existential subject matter.