Part of Serra's exploration of drawing as a fundamental sculptural practice, this 1982 monotype demonstrates the artist's mastery of mark-making beyond his renowned steel installations. Executed in black Paintstik on German Etching paper, the work captures the gestural intensity that characterizes Serra's two-dimensional output from this period. Published by Anthology Film Archive in an edition of 75, this artist's proof exemplifies the printmaking collaborations that allowed Serra to investigate weight, density, and material presence on paper with the same rigor he brought to his large-scale public works.