Louis adopted a nearly identical soak stain technique after seeing Frankenthalers work, pouring thinned acrylic paint onto unprimed canvas to create luminous color field compositions with the same translucent, fabric absorbed quality visible here.

Noland shared Frankenthalers direct application of stained color onto raw canvas, producing vibrant post war color field paintings where pigment and surface merge with the same lyrical abstraction and saturated hue relationships seen in this work.

Gilliam extended the color staining tradition Frankenthaler pioneered, pouring and pooling paint across large unprimed canvases to achieve similarly dreamlike atmospheric color washes with the same gestural fluidity and vibrant chromatic expressiveness.