Alexander Liberman's painted steel construction exemplifies the artist's transition from his influential career as editorial director of Vogue to his later sculptural practice that dominated his final decades. Working in 1987 at the height of his mature period, Liberman demonstrates his mastery of industrial materials and bold geometric forms that characterize his three-dimensional works. Acquired from Crosby Coughlin, this unique piece showcases the artist's distinctive approach to color and form that bridges his background in graphic design with his monumental sculptural vision.