Join The Collection to save, track, and explore works like this.

Sebastián In Situ

Collector

Francis Bacon — Study for a Head
Francis Bacon

Study for a Head

1952

A powerful early work from Francis Bacon's landmark series of distorted heads and screaming figures. Painted in 1952, this study exemplifies Bacon's distinctive approach to the human form with its visceral rendering of a suited figure with an open, screaming mouth set against a dark background with gestural yellow-gold marks. The work demonstrates the psychological intensity and formal innovation that established Bacon as one of the most important figurative painters of the 20th century.

Medium
Oil on canvas

Notes

The Washington home of Richard and Jane Lang, featuring works by Francis Bacon, Robert Motherwell, Clyfford Still, Joan Mitchell and Giacometti. In the study, Francis Bacon's 'Study for a Head' (1952) hangs above the Langs's desk. Richard had wanted Bacon to paint him but he refused (Bacon was notoriously selective about who he painted; they were mostly his close friends and lovers). In 2019, the Langs's Bacon sold for $50 million at Sotheby's in New York.

Start the Discussion

Request access to join the discussion

Collectors of Francis Bacon

Also spotted by

About this work

Francis Bacon, Study for a Head, 1952

A powerful early work from Francis Bacon's landmark series of distorted heads and screaming figures. Painted in 1952, this study exemplifies Bacon's distinctive approach to the human form with its visceral rendering of a suited figure with an open, screaming mouth set against a dark background with gestural yellow-gold marks. The work demonstrates the psychological intensity and formal innovation that established Bacon as one of the most important figurative painters of the 20th century.

Medium
Oil on canvas
Year
1952

Related themes

Dark, 20th Century, Blue Chip, Psychological, Expressionism, Irish Artist, LGBTQ+ Artist, Portrait, In situ, British, Painting, Figurative

More works by Francis Bacon

Collected by

Sebastián In Situ, Sebastián Naranjo