Adonai

1970

A monumental outdoor sculpture composed of multiple large-scale cylindrical steel forms — some vertical, some horizontal, some diagonal — arranged to evoke both architectural and natural references, including fallen columns, trees, and cathedral architecture. Originally created 1970–71 using six-foot-long gas storage tanks and refabricated in 2000 after physical deterioration of the original rusted steel. Liberman cited the medieval cathedral at Chartres, France as his primary inspiration, positioning vertical cylinders as a portal and a horizontal cylinder as a nave. The title 'Adonai' is the Hebrew word for 'god,' consistent with Liberman's use of biblical and mythological titling across his sculptural oeuvre.

Medium: Steel
Dimensions
Spotted At: Foundation · Storm King Art Center

Notes

Originally created 1970–71; refabricated in 2000 due to physical deterioration of the original rusted steel gas storage tanks. Dimensions: 29 ft. 6 in. x 63 ft. x 52 ft. 8 in. (899.2 cm x 19.2 m x 16.1 m). Copyright held by The Alexander Liberman Trust. Photo credit: Jerry L. Thompson. One of three large-scale Liberman sculptures at Storm King Art Center; other works at the venue include 'Adam' and 'Iliad.' Liberman noted his use of cheap industrial readymade materials: 'I use cheap materials for economic reasons.' Artist's quote on the work: 'You build your own imaginary cathedral.' Liberman's close friend Abstract Expressionist Barnett Newman was influential in his use of heroic/mythological titles. Liberman's father was forestry minister under Vladimir Lenin; his mother founded the Russian state children's theater in Moscow. First solo exhibition: Betty Parsons Gallery, New York, 1960. Served as editor-in-chief of all Condé Nast magazines for over thirty years beginning 1962.