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Matthew Monahan — Mixed Messenger
Matthew Monahan

Mixed Messenger

Matthew Monahan's *Mixed Messenger* is a richly layered sculptural work that brings together humble and industrial materials—foam, wax, pigment, wood, charcoal, paper, and drywall—to construct a fragmented, haunting figure that evokes both ancient reliquary and contemporary ruin. The work reflects Monahan's signature approach of treating the human form as a site of accumulation and decay, where surfaces appear simultaneously built up and eroded. The combination of translucent wax and raw, structural materials creates a tension between fragility and permanence, as if the figure is caught in a perpetual state of becoming or dissolving.

Medium
foam, wax, pigment, wood, charcoal, paper, drywall

🔨 Auction Lot

Contemporary Art Day Sale

October 17, 2013

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About this work

Matthew Monahan, Mixed Messenger

Matthew Monahan's *Mixed Messenger* is a richly layered sculptural work that brings together humble and industrial materials—foam, wax, pigment, wood, charcoal, paper, and drywall—to construct a fragmented, haunting figure that evokes both ancient reliquary and contemporary ruin. The work reflects Monahan's signature approach of treating the human form as a site of accumulation and decay, where surfaces appear simultaneously built up and eroded. The combination of translucent wax and raw, structural materials creates a tension between fragility and permanence, as if the figure is caught in a perpetual state of becoming or dissolving.

Medium
foam, wax, pigment, wood, charcoal, paper, drywall
Seen at
Phillips, New York, London, Hong Kong

Related themes

Raw Materials, Figurative Sculpture, Dark Mood, Ephemeral Materials, Assemblage, Fragmented Figure, Male Artist, Mixed Media, Emerging Artist, Monochromatic Tones, Contemporary Artist, American Artist, Figurative Art, Assemblage Art, Fragmented Form, Mixed Media Sculpture, Contemporary Art, Expressionist Style, Monochromatic Palette, Early 21st Century, Neo-Expressionism, Somber Mood, Fragmented Forms

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