In *Long Drawing, Narcissus*, Dorothea Rockburne employs Prismacolor on translucent vellum and Arches watercolor paper to explore geometric relationships and the interplay between opacity and luminosity. The layering of these distinct surfaces creates a dialogue between mark and material, inviting reflection on the work's structural and philosophical underpinnings. Rockburne's precise yet meditative draftsmanship recalls her longstanding engagement with mathematics and the natural world as sources of artistic form.