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Sebastián Naranjo

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Claude Monet — Nymphéas
Claude Monet

Nymphéas

1917

This magnificent example from Claude Monet's iconic Nymphéas series, painted in 1917 during his late Giverny period, showcases the artist's increasingly bold dissolution of form as floating lily pads and luminous blossoms merge with the shimmering reflections of sky and foliage on the water's surface. The extraordinary chromatic range—from deep violet and cobalt depths to passages of vivid emerald and delicate lavender-white blooms—demonstrates Monet's unparalleled mastery of color as both descriptive and emotive force. Works from this late Water Lilies campaign are among the most coveted Impressionist paintings on the market, representing the pinnacle of Monet's lifelong investigation into light, atmosphere, and perception, and serving as a crucial bridge between 19th-century plein air painting and 20th-century abstraction.

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Claude Monet, Nymphéas, 1917

This magnificent example from Claude Monet's iconic Nymphéas series, painted in 1917 during his late Giverny period, showcases the artist's increasingly bold dissolution of form as floating lily pads and luminous blossoms merge with the shimmering reflections of sky and foliage on the water's surface. The extraordinary chromatic range—from deep violet and cobalt depths to passages of vivid emerald and delicate lavender-white blooms—demonstrates Monet's unparalleled mastery of color as both descriptive and emotive force. Works from this late Water Lilies campaign are among the most coveted Impressionist paintings on the market, representing the pinnacle of Monet's lifelong investigation into light, atmosphere, and perception, and serving as a crucial bridge between 19th-century plein air painting and 20th-century abstraction.

Year
1917

Related themes

Late 19th-Early 20th Century, Impressionism, Blue And Green Palette, Nature, Modern, Water Lilies, Unique Work, Oil on Canvas

More works by Claude Monet

Collected by

Sebastián In Situ, Art Institute of Chicago, Harvard Art Museums, Cleveland Museum of Art, Alex Capecelatro, Sebastián Naranjo